| 从《尤利西斯》看意识流小说的艺术特征 |
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| 引用本文： | 王喆.从《尤利西斯》看意识流小说的艺术特征[J].合肥工业大学学报(社会科学版),2009,23(4):101-105. |
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| 作者姓名： | 王喆 |
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| 作者单位： | 四川文理学院,外语系,四川,达州,635000 |
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| 摘 要： | 意识流小说使用第一人称的“内心独自”“自由联想”手法，让“作家退出小说”，让读者直接面对书中人物，并采用时空错乱的立体结构，作家的意识由客观时间转向主观时间。这些对于人物内心世界的开掘和作家主观能动性的发挥有很大的意义，而乔伊斯的《尤利西斯》正是由于合理地使用了这些技巧，才使得其成为文学史上具有划时代意义的“里程碑”。
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| 关 键 词： | 意识流小说 内心独自 自由联想 心理时间 |
Artistic Features of Stream-of-Consciousness Novels Viewed from Ulysses |
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| WANG Zhe.Artistic Features of Stream-of-Consciousness Novels Viewed from Ulysses[J].Journal of Hefei University of Technology(Social Sciences),2009,23(4):101-105. |
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| Authors: | WANG Zhe |
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| Institution: | Department of Foreign Languages;Sichuan University of Arts and Science;Dazhou 635000;China |
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| Abstract: | Interior monologue is employed in the stream-of-consciousness novels by the narrator "I" by means of free association with a view to let the author withdraw from the novel and the reader meet the characters face to face.The author's consciousness changes from objective time to subjective time in a three-dimensional structure of the spatial and temporal discord.This helps to tap the characters' inner world and put the author's subjective initiative to full use.James Joyce's Ulysses adroitly employs the strea... |
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| Keywords: | stream-of-consciousness novel interior monologue free association psycho-time |
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