宋人对诗歌中义理成分的探索与《周易》的关系

宋诗重理趣。理趣即义理和情趣的统一。宋代诗学有关义理的学说经过了四个阶段和三次飞跃。张载和程颐从哲理的高度论述义理。苏洵提出“风水相遭”的文章学命题。苏轼提出了“有为而作”的诗学命题 ,从本体论上说诗。叶梦得提出了“兴当时事”的诗学命题 ,从现实主义创作原则上说诗。贯穿在此四阶段和三飞跃之中的则是《周易》所倡导的认识原则

The Reason in Poetics of Song China and Zhouyi Studies

The poetry of Song China lays stress on reason and taste as a unification of two elements of poetry. The poetics of Song China underwent four stages and three leaps. Zhang Zai and Cheng Yi discussed reason philosophically. Su Xun put forth a proposition that once wind and water encounter each other literary grace comes out. Su Shi discussed poetry ontologically and he put forth a proposition that it is necessary to write what exists. Ye Mengde discussed poetry realistically and he put forth a proposition that it is necessary to write the current affairs. The spirit running through the four stages and three leaps is the cognitive principle Zhou Yi advocates.