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略论当代日本暴力写意派电影导演
引用本文:付晓.略论当代日本暴力写意派电影导演[J].湛江师范学院学报,2009,30(1):124-128.
作者姓名:付晓
作者单位:合肥工业大学人文经济学院,安徽合肥,230009
摘    要:北野武、塚本晋也和三池崇史,这三位暴力写意派导演是当代日本影坛的代表性人物。北野武醉心于武士道的传统,并竭力向欧美电影界展示这一日本民族的特质;塚本晋也聚焦于工业化带来的社会后遗症,以批判现代主义病症为己任;三池崇史基于对当代日本社会多元开放性的判断揭示了暴力情境中人的身份焦虑。他们的电影都在暴力之上建构了各自的主题体系,从不同角度审视了当代日本社会。

关 键 词:日本电影  武士道  现代主义  身份焦虑

On the Directors of Expressive Violence Film in Current Japan
FU Xiao.On the Directors of Expressive Violence Film in Current Japan[J].Journal of Zhanjiang Normal College,2009,30(1):124-128.
Authors:FU Xiao
Institution:FU Xiao (School of Humanities and Economics, Hefei University of Technology, Hefei, Anhui 230009, China)
Abstract:Takashi Kitano, Shinya Tsukamoto and Takashi Miike are leading exponent in current Japanese film. Takashi Kitano was fascinated by tradition of Bushido and demonstrated this characteristic to Western countries. Shinya Tsukamoto focused on the social consequences of industrialization, and criticized modernist symptoms. Takashi Miike revealed the anxiety of identity in violent circumstances based on his judgment of the multi-dimensional opening of current Japanese society. Their film constructed their own topics beyond the violence, and examined current Japanese society from different angles.
Keywords:Japanese film  Bushido  modernism  anxiety of identity
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