略论中国戏曲文学中的负心男子形象

自宋伊始在中国古典戏曲文学中出现众多的“背亲弃妇”的负心男子形象。它是两宋以来社会生活的反映 ,与科举制度有密不可分的联系 ;它是两宋以来意识形态的反映 ,代表着理学体系中的秩序法则和行为规范 ;它是宋代“市民文化”和“市井文学”的必然产物。其代表作品《张协状元》、《王魁负桂英》、《琵琶记》等对后世戏曲文学的创作产生了深远的影响 ,成为宣扬中华民族伦理道德的形象教科书

Discussion on the Figures of Ungrateful Men in Chinese Opera Literature

Since Song dynasty,many figures of ungrateful men who betray their relatives and detray their wives have appeared in Chinese opera literature,which are not only the reflection of social life and closely related to imperial examination system,but also the reflection of ideology and represent the law of order and behavior standard,which is also the result of the culture of city residents and market place literature in Song dynasty ,The masterpieces, ZhangXieZhuangynan,WangKuiFuGuiying and PiPaji have a great influence on the later literature creation and be regarded as the image textbooks of publicizng Chinese moral principles.