Forms of politicization in the French literary field

Using Pierre Bourdieu’s theory of “fields,” this article proposes a model of analysis of the forms of politicization in the literary field based on the French case. In France, during the first half of the twentieth century, the writer has embodied the figure of the “Intellectual.” The first claim is that the politicization of the French literary field resulted from three factors: the autonomy it gained in the nineteenth century, its lack of professional development, and the competition with the newly emerging professions. These factors, joined to the specific features of the literary activity, account for the writers’ most typical mode of politicization: prophesying. This analysis adapts the Weberian concepts of “charismatic power” and of “prophetism” to the intellectual field, in the way suggested by Pierre Bourdieu’s interpretation of Max Weber’s theory of religion. The second claim is that the forms of politicization of writers depend on the position they occupy in the literary field: the way of being a writer conditions the way one engages in the political sphere. Four figures of committed writers are distinguished: the “notabilities,” the “aesthetes,” the “avant-garde,” and the “writer-journalists.”