| 数字艺术:主体自由的契机与陷阱 |
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| 引用本文： | 程金海.数字艺术:主体自由的契机与陷阱[J].东南大学学报(哲学社会科学版),2007,9(1):85-89. |
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| 作者姓名： | 程金海 |
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| 作者单位： | 上海理工大学,出版印刷学院,上海,200093 |
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| 摘 要： | 媒介在主体构型中发挥着重要的作用,数字媒介建构了自由交往的主体。数字艺术以数字媒介为载体,其审美主体的存在状态与基于印刷媒介和电子媒介的艺术形式迥然不同。但数字艺术审美主体的自由是以数字符号的非物质性为前提的,数字符号的非物质性既是构成数字艺术审美主体自由的契机也是其陷阱。
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| 关 键 词： | 数字艺术 主体 自由 |
| 文章编号： | 1671-511X(2007)01-0085-05 |
| 修稿时间： | 2006年7月9日 |
Digital art: a chance or a trap for the subject freedom |
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| CHENG Jin-hai.Digital art: a chance or a trap for the subject freedom[J].Journal of Southeast University(Philosophy and Social Science ),2007,9(1):85-89. |
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| Authors: | CHENG Jin-hai |
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| Abstract: | The media has an important influence on the subjectivity and the digital media contributes to the free-communicating subject. Digital art by taking the form of digital media is totally different from the artistic forms of printing media and electronic media in the existence of aesthetic subject. However, the freedom of aesthetic subject is based on the immateriality of the digital code, which provides both a chance and a trap for the subject freedom. |
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