| 论唐代送别诗意象的高度情思化 |
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| 引用本文： | 李瑛.论唐代送别诗意象的高度情思化[J].学术交流,2005(2):168-171. |
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| 作者姓名： | 李瑛 |
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| 作者单位： | 黑龙江省政法管理干部学院,公共课教研室,黑龙江,哈尔滨,150080 |
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| 摘 要： | 中国古代诗歌史中的送别之作,从《诗经》的比兴托物,汉魏时的率真直抒到六朝的绘景写心,逐渐趋于成熟完美,到唐五代时达到了物我浑融,形神兼胜的境界。唐人送别诗意象的高度情思化包括三种情形:即情中景,景中情和情景的“妙合无垠”。这就使得送别诗的情感含量大大增加,艺术感染力明显增强,具有了超时空的审美价值。
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| 关 键 词： | 唐代送别诗 意象 情思化 |
| 文章编号： | 1000-8284(2005)02-0168-04 |
| 修稿时间： | 2004年10月20 |
On the Highly-Emotional Images of the Poems on Departure in the Tang Dynasty |
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| LI Ying.On the Highly-Emotional Images of the Poems on Departure in the Tang Dynasty[J].Academic Exchange,2005(2):168-171. |
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| Authors: | LI Ying |
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| Abstract: | This paper probes into the characteristics of poems on departure written in the Han, Wei Dynasties, the Six Dynasties, and the Tang Dynasty, revealing a process from the premature to the perfect. Further, it concludes the highly emotional images of the poems of the Tang Dynasty have three forms: feelings in scenes, scenes contained in affection, and perfect harmony between them, which endows departure poems with stronger emotional power and possesses the aesthetic value beyond time and space. |
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| Keywords: | poems on departure written in the Tang Dynasty image emotion and longing |
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