| 细处着彩，小屋生辉——林徽因诗形一瞥 |
| |
| 引用本文： | 高明艳.细处着彩，小屋生辉——林徽因诗形一瞥[J].上海大学学报(社会科学版),2002,9(5):26-31. |
| |
| 作者姓名： | 高明艳 |
| |
| 作者单位： | 上海大学文学院,上海,200436 |
| |
| 摘 要： | 林徽因作为后期新月诗派的一位女诗人,既沿习了该派前期的抒情风格,而且几乎没有改变,导致与该派男诗人当时的主体创作形成一种相对的错位;同时又有作为女诗人的独特一面。这表现在她的诗在形式上结构偏于狭窄,但却有深潜的内部光华和细致独到的艺术手法。从中我们可以窥见现代女性诗的一些特质。
|
| 关 键 词： | 林徽因 新月诗派 新诗 旧诗 抒情诗 |
| 文章编号： | 1007-6522(2002)05-0026-06 |
| 修稿时间： | 2002年3月22日 |
On the Artistic Style of LIN Hui-ying's Poetry |
| |
| GAO Ming-yan.On the Artistic Style of LIN Hui-ying''''s Poetry[J].Journal of Shanghai University(Social Science Edition),2002,9(5):26-31. |
| |
| Authors: | GAO Ming-yan |
| |
| Abstract: | As a poetess in the later period of the Crescent School, LIN Hui-ying on one hand followed the lyric style in poetry composition by her predecessors, thus forming a kind of relative dislocation as against the main trend of creation by other poets and presented her own peculiar genre on the other, This shows that her scope in poetry composition is relatively narrow but her poems are imbedded with internal splendor and distinctive qualities. |
| |
| Keywords: | LIN Hui-ying the Crescent School old -style poetry new verse lyric poetry |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
