真假声结合在男高音中的运用

在声乐教学中,男高音的训练重点应放在真假声结合上,从歌唱的实践中和声乐的发展状况来看,真声、假声、真假声结合这三种发声方法,其中真假声结合的发声其运用比纯真声或单一的假声的歌唱发声要优越得多,便利得多.真假声能否结合得自然平稳、运用得自如恰当,是取决于男高音能否获得最完美的声音状态的关键.它具有一定的历史价值和科学价值.

ON THE USE OF COMBINING ORIGINAL VOICE WITH FALSETTO IN ALTO TEACHING

In the teaching of vocal music, the stress of the practice of Alto should be laid on the combination of voriginal voice with falsetto. There are three methods of voice production in the singing practice and the development of vocal music: original voice, falsetto, and the combination of the first two. The third method can easily produce more beautiful voice than both pure original voice and single falsetto. The natural and smooth combination of original voice with falsetto and its flexible use depend upon the fact that the alto can reach his perfect voice state, which is of great historical and scientific value.