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性别与空间——《野草在歌唱》的女性主义地理学解读
引用本文:李丹玲.性别与空间——《野草在歌唱》的女性主义地理学解读[J].重庆工商大学学报(社会科学版),2012,29(4):96-100.
作者姓名:李丹玲
作者单位:北京外国语大学英语学院,北京,100089
摘    要:本文从女性主义地理学的角度解读多丽丝.莱辛处女作《野草在歌唱》中性别与空间区隔的关系:由于父权社会里既有的性别分工和性别气质刻板印象,玛丽被局限于女性化的私人空间里;私人空间也再现和强化了玛丽的弱者地位,阻碍了她掌管自我命运的潜能。性别与空间区隔之间互为影响和加强,而非表面"自然"而然的关系。

关 键 词:多丽丝.莱辛  性别  空间  《野草在歌唱》  女性主义地理学

Gender and Space: the Interpretation of The Grass Is Singing from the Perspective of Feminist Geography
LI Dan-ling.Gender and Space: the Interpretation of The Grass Is Singing from the Perspective of Feminist Geography[J].Journal of Chongqing Technology and Business University Social Science Edition,2012,29(4):96-100.
Authors:LI Dan-ling
Institution:LI Dan-ling (School of English,Beijing Foreign Studies University,Beijing 100089,China)
Abstract:From the perspective of feminist geography,this paper interprets the relationship between gender and spatial distinction in Doris Lessing’s The Grass Is Singing: due to the gender division of labor and gender stereotypes in the patriarchal society,the protagonist Mary is restricted to the feminized private space;the private space also reflects and reinforces Mary’s position as the weak and hinders her potential for self-reliance.The relationship between gender and spatial distinction is that of interaction and inter-intensification rather than the apparent "natural" one.
Keywords:Doris Lessing  gender  space  The Grass Is Singing  feminist geography
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