A New Deal': art, museums and communities re-imagining relations

‘A New Deal’ argues that engaged or participatoryart practice can be shown to be central rather than marginalto the meaning and value of art in the ‘story’ ofhuman society, but only if we take a long view and change theposition from which we read and understand received history.It also argues that new models of art and institutional practiceare needed in the present, which foreground and validate participation,engagement and commonality – the reconnection of artistand community within social space. These new models are neededif we are to generate the new art forms that emancipate ratherthan disempower the citizen and which are not defined by thecul de sac of commodity and consumerism.