| 论元杂剧的悲剧蕴涵 |
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| 引用本文： | 杨冬梅. 论元杂剧的悲剧蕴涵[J]. 齐齐哈尔大学学报(哲学社会科学版), 2007, 0(3): 83-85 |
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| 作者姓名： | 杨冬梅 |
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| 作者单位： | 齐齐哈尔大学国际文化交流文学院,黑龙江齐齐哈尔161006 |
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| 摘 要： | 元代杂剧中的悲剧大多呈现出悲中见喜,苦中有乐的特征,形式上的大团圆结局彰显出悲壮气氛与哀婉情调。许多生动典型的艺术形象的塑造带有明显的伦理情怀与道德批判色彩,深刻地反映了元代社会的生活现实与时代精神。
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| 关 键 词： | 元杂剧 悲剧 大团圆 |
| 文章编号： | 1008-2638(2007)03-0083-03 |
| 修稿时间： | 2006-01-11 |
Connotation of the Tragedies of Poetic Dramas of the Yuan Dynasty |
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| YANG Dong-mei. Connotation of the Tragedies of Poetic Dramas of the Yuan Dynasty[J]. Journal of Qiqihar University (Philosophy & Social Science Edition), 2007, 0(3): 83-85 |
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| Authors: | YANG Dong-mei |
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| Abstract: | Most trgedies of poectic dramas of the Yuan Dynasty feature the complexity of happiness in sadness or pleasure in pain,and a happy ending of reunion,creating a moving and tragic but poetic atmosphere.The characterization of many typical artistic images with obvious ethic sentiment and moral criticism reflects profoundly the life and spirit of the Yuan people. |
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| Keywords: | poetic dramas of the Yuan Dynasty tragedy the happy reunion |
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