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李泽厚后期实践美学的内在矛盾
引用本文:薛富兴.李泽厚后期实践美学的内在矛盾[J].求是学刊,2003,30(2):97-103.
作者姓名:薛富兴
作者单位:南开大学,哲学系,天津,300071
摘    要:李泽厚后期实践美学内部存在着群体理性与个体感性、工具本体与心理本体、哲学与美学、论与史四对矛盾,人类学视野是群体理性立场与工具本体论之根源,它根本上制约了心理本体论这一主体性实践哲学本旨.后期实践美学是主体性实践哲学之附庸,而非独立深入的美学理论.李泽厚意欲在美学的史论结合中会通中西,然实际是以西释中.诸种矛盾结合在一起,极大地制约了实践美学的学术成就.

关 键 词:群体理性  工具本体  人类学  观念研究  以西释中
文章编号:1000-7504(2003)02-0097-07
修稿时间:2002年6月20日

Internal Contradicitons of the Practical Aesthetics of Li Zehou in the Later Stage
XUE Fu-xing.Internal Contradicitons of the Practical Aesthetics of Li Zehou in the Later Stage[J].Seeking Truth,2003,30(2):97-103.
Authors:XUE Fu-xing
Abstract:There exist four pairs of contradiction of group reason and individual reason, instrumental noumenon and psychological noumenon, philosophy and aesthetics, and theory and history inherent in the practical philosophy of Li Zehou in the later stage. Anthropological perspectives are origins of the stance of the group reason and instrumental ontology which fundamentally constrain psychological ontology which is the essence of subjective practical philosophy. Post-practical philosophy is a handmaid of subjective practical philosophy rather than an independent and profound aesthetic theory. Li Zehou intended to merge the Chinese and the Western through the combination of history and theory but ended up elucidating the Chinese in terms of the Western. The various pairs of contradictions put together greatly restrict the academic achievements of practical aesthetics.
Keywords:group reason  instrumental noumenon  anthropology  conceptual studies  elucidating the Chinese with the Western
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