| 李渔《闲情偶寄》中的生活美学对《红楼梦》的影响 |
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| 引用本文： | 张海燕,管莉莉. 李渔《闲情偶寄》中的生活美学对《红楼梦》的影响[J]. 吉林工程技术师范学院学报, 2003, 0(8) |
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| 作者姓名： | 张海燕 管莉莉 |
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| 作者单位： | 解放军理工大学理工学院，解放军理工大学理工学院 江苏南京 210017，江苏南京 210017 |
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| 摘 要： | 明清美学是中国美学之集大成者,是中华古典美学的最后一次高峰。这一时期文化最突出的成就是小说创作。《红楼梦》则正是这一片丰美土地上滋生出来的一朵文学奇葩,它在小说构建上可能受到了《金瓶梅》的影响,但在美学思想方面则更多看到的是明清美学家,尤其是李渔的绰绰身影。
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| 关 键 词： | 李渔 《闲情偶寄》 《红楼梦》 生活美学 |
The influence of life aesthetics in sketches of idle pleasure on the story of the stone |
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| ZHANG Haiyan,GUAN Lili. The influence of life aesthetics in sketches of idle pleasure on the story of the stone[J]. Journal of Jilin Teachers Institute of Engineering and Technology(Natural Sciences Edition), 2003, 0(8) |
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| Authors: | ZHANG Haiyan GUAN Lili |
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| Abstract: | Aesthetics in the Ming and Qing Dynasty was the last peak of Chinese classical aesthetics. The outstanding achievement at that period was the novel creation. The story of the stone was a literary strange flower at that time which was influenced by the plum in the golden vase in structure, while LI Yu's life aesthetics had made great effect on its aesthetic thought. |
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| Keywords: | LI Yu sketches of idle pleasure the story of the stone life aesthetics |
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