首页 | 本学科首页   官方微博 | 高级检索  
     

从“形神合一”浅谈钢琴教学
引用本文:周明哲. 从“形神合一”浅谈钢琴教学[J]. 淮海工学院学报(社会科学版), 2010, 8(2): 109-111. DOI: 10.3969/j.jssn.1008-3499.2010.02.042
作者姓名:周明哲
作者单位:连云港师范高等专科学校,音乐系,江苏,连云港,222000
摘    要:钢琴演奏者在演奏中表现出的精与神通过气的贯通得以把内向功转化为外向功,形成了一定的外部动作,就产生了"形"。就内外关系而言,内向功是钢琴演奏的本性及根源,外向功是钢琴演奏的运动及过程。在内向功的三个环节中,气是主导,形则是沟通内界与外界的桥梁。而精与神的境界传递则需由气贯通,只有做到贯气,才能将内向功溶入外向功,做到内外合一,形神合一。

关 键 词:钢琴教学  形神合一  内向功  外向功

On Piano Teaching from Unity of Form and Soul
ZHOU Ming-zhe. On Piano Teaching from Unity of Form and Soul[J]. Journal of Huaihai Institute of Technology, 2010, 8(2): 109-111. DOI: 10.3969/j.jssn.1008-3499.2010.02.042
Authors:ZHOU Ming-zhe
Affiliation:ZHOU Ming-zhe(Dept.of Music,Lianyungang Teacher's College,Lianyungang 222006,China)
Abstract:Piano players in performance transform the introversive power to the extroversive power by connecting spirit and soul through chi,thus certain external actions are created,which is called "form".As far as the internal and external relationship is concerned,introversive power is the nature and source of piano performance,while extroversive power is the activity and process.Of the three links in introversive power,chi is dominant;form is the bridge between internal and external world.Spirit and soul have to be run through by chi to achieve internal and external integration,unity of form and soul.
Keywords:spirit  chi  soul and form  introversive power  extroversive power
本文献已被 维普 万方数据 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号