| “昙曜五窟”与帝都文化 |
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| 引用本文： | 刘慧芳.“昙曜五窟”与帝都文化[J].山西大同大学学报（社会科学版）,2010,24(3):33-36. |
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| 作者姓名： | 刘慧芳 |
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| 作者单位： | 山西大同大学云冈文化研究中心,山西,大同,037009;山西大同大学文史学院,山西,大同,037009 |
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| 基金项目： | 山西大同大学校级青年科学研究项目 |
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| 摘 要： | ＂昙曜五窟＂是北魏王朝皇家石窟营造的开始,也是云冈石窟艺术的代表。它蕴涵了平城帝都文化的精髓,全面展示了北魏帝都的物质文化和精神文化的底蕴,是北魏帝都文化的重要标志之一。＂昙曜五窟＂在理念上与大同城市文化相通,成为今日大同城市文化的名片。
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| 关 键 词： | 昙曜五窟 平城 帝都文化 |
The Five Tanyao Caves and Capital Culture |
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| LIU Hui-fang.The Five Tanyao Caves and Capital Culture[J].Journal of Shanxi Datong University(Social Science Edition),2010,24(3):33-36. |
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| Authors: | LIU Hui-fang |
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| Institution: | LIU Hui-fang,(1.Research Center of Yungang Culture,Shanxi Datong University,Datong Shanxi,037009;2.School of Chinese Literature and History,Shanxi Datong University,Datong Shanxi,037009) |
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| Abstract: | The carving of the Five Tanyao Caves in Yungang Grottoes indicates the beginning of the royal caves＇construction in Northern Wei Dynasty,and the Five Tanyao Caves are also the representatives of Yungang Grotto art.They connate the essence of the capital culture of Pingcheng,showing both physical and spiritual culture of the capital of Northern Wei Dynasty from all aspects.They are one of the important signals of the capital culture of Northern Wei Dynasty.The designing ideology of the Five Tanyao Caves is the same as the city culture of Datong,which have become the cultural card of Datong today. |
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| Keywords: | the Five Tanyao Caves Pingcheng capital culture |
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