| 真实与嬉戏:评朱利安·巴恩思的《福楼拜的鹦鹉》 |
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| 引用本文： | 郑小冬.真实与嬉戏:评朱利安·巴恩思的《福楼拜的鹦鹉》[J].长春理工大学学报(社会科学版),2011(4):84-87. |
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| 作者姓名： | 郑小冬 |
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| 作者单位： | 华南师范大学外文学院;北京师范大学外文学院; |
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| 摘 要： | 从主题和形式的角度,分析小说《福楼拜的鹦鹉》如何通过对再现的质疑来说明"真实"的多元性以及如何通过戏仿和自反叙事的策略来构建多重的文本世界,表明其充满多元性和游戏性的后现代的文本特征。
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| 关 键 词： | 巴恩思 再现 真实 戏仿 自反叙述 |
Truths and Play-on Julian Barnes' Flaubert's Parrot |
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| ZHENG Xiao-dong.Truths and Play-on Julian Barnes' Flaubert's Parrot[J].Journal of Changchun University of Science and Technology,2011(4):84-87. |
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| Authors: | ZHENG Xiao-dong |
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| Institution: | ZHENG Xiao-dong |
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| Abstract: | From the perspectives of theme and form,this paper analyses how Flaubert's Parrot poses questions on representation and claims the plurality of truth and how it builds in itself a multi-dimensional world by means of parody and narrative self-reflexivity. The paper comes to the conclusion that the book is a postmodern text typical of postmodern plurality and playfulness. |
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| Keywords: | Julian Barnes representation truth parody narrative self-reflexivity |
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