| 论魏晋至五代伎艺传播的主要特征及认识价值——戏曲生成史论之七 |
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| 引用本文： | 赵兴勤.论魏晋至五代伎艺传播的主要特征及认识价值——戏曲生成史论之七[J].东南大学学报(哲学社会科学版),2010,12(6). |
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| 作者姓名： | 赵兴勤 |
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| 基金项目： | 国家社科基金预研究项目 |
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| 摘 要： | 魏晋至五代这一历史时段,伎艺传播呈现出新的特点。一是传播主体的多元构成;二是跳荡的发展态势与传播手段的灵活多变;三是信息的及时捕捉与伎艺的整合、传播。这些新面貌的出现,催发了戏剧不断走向成熟,在戏剧发展史上具有不同寻常的重要意义。
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| 关 键 词： | 魏晋至五代 伎艺传播 特点 价值 |
Characteristics and cognitive value of drama spreading in Wei Jin and Five Dynasties |
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| ZHAO Xing-qin.Characteristics and cognitive value of drama spreading in Wei Jin and Five Dynasties[J].Journal of Southeast University(Philosophy and Social Science ),2010,12(6). |
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| Authors: | ZHAO Xing-qin |
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| Abstract: | Wei Jin and Five Dynasties witnessed the following characteristics of drama spreading:first,the multi-dimensional constitution of spreading;secondly,fast development and flexible means of spreading;thirdly,prompt obtaining of information and artistic conformity and spreading of drama.These new tendencies promoted the transition of drama to maturity,producing great influence in the history of development of Chinese drama. |
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