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Sonic Armatures
Affiliation:Sonsoles Hernández Barbosa is a lecturer in the department of Historical Sciences and Art Theory at Universidad de las Islas Baleares, Spain. She has specialized in the study of fin-de-siécle interartistic relationships. Currently, her research is concerned with multisensory attractions as a part of a study about the status held by senses in the experience of modernity. sonsoles_h@hotmail.com
Abstract:ABSTRACT

This article traces the construction of an acoustic regime in Renaissance Florence that was based on the casting, placement, and ringing of civic bells. In confronting the formidable but mute power of the defensive towers that dominated the city's skyline in the late middle ages, successive republican governments regulated these private towers with legislative restrictions while transforming them into a speaking architecture. The new civic bell towers played a crucial, if hitherto neglected role in the struggle to create the Florentine republic, which was the political ground upon which the cultural phenomenon of the Renaissance was founded. In contrast to the more antagonistic urbanistic policies that Florentine governments used to combat their enemies, however, the ringing of civic bells exploited the unifying power of religious bells—a power embedded in their role in uniting people into spiritual communities—to integrate its ideals, laws, and institutions into the soundscape of the city. As a result, the sonic armature created by these bells can be read as an evolving attempt to bind the social body to its architectural environment and to create a universal civic society that transcended more localized loyalties and whose existence guaranteed the legitimacy of its ruling bodies.
Keywords:Florence  Renaissance  bells  towers  soundscape  bell ringing  civic justice  architecture  urbanism  medieval  Italy
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