| 迤逦多姿 风情迥异——试论现代青花艺术装饰手法之美 |
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| 引用本文： | 韩祥翠.迤逦多姿 风情迥异——试论现代青花艺术装饰手法之美[J].湖北师范学院学报(哲学社会科学版),2011,31(6):72-75. |
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| 作者姓名： | 韩祥翠 |
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| 作者单位： | 湖北师范学院美术学院,湖北黄石,435002 |
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| 摘 要： | 青花是陶艺最具表现力的装饰语言之一，为我们祖先在漫长的艺术实践中所创造，其纯净的色彩、浪漫的形式，已成为古典艺术的典范。现代青花融传统青花的技法和现代艺术的观念和形式，艺术表法手法更为多样，从而呈现出比传统青花更迤逦多姿的艺术风貌。
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| 关 键 词： | 现代青花 装饰 表现技法 |
The aesthetic skill of modern blue and white ceramic art |
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| HAN Xiang-cui.The aesthetic skill of modern blue and white ceramic art[J].Journal of Hubei Normal University(Philosophy and Social Science),2011,31(6):72-75. |
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| Authors: | HAN Xiang-cui |
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| Institution: | HAN Xiang-cui (College of Fine Arts,Hubei Normal University,Huangshi 435002,China) |
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| Abstract: | Blue and white art is the most attractive art in ceramic decoration, created in a long history by our uncestors. It is the art model for its pure colour, romantic appearance, The modem blue and white skill contains both traditional and modem art idea and expearance,forming its colourful style. |
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| Keywords: | modem blue and white decoration expression skin |
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