唐代题画诗对题画诗体例的开创之功

中国诗与画的融合在唐代取得了具有标志性意义的进展,唐代题画诗集中反映出了这种进步。它开创和奠定了题画诗的基本体例,使题画诗作为一种特殊的诗歌品类得以成立。唐代题画诗的开创之功主要表现在:它拓宽了题画诗的诗体范围,各体齐备,改变了前代仅局限于以四言和五言诗的画赞、咏画诗题咏的局面,尤其是以律诗评画,对诗与画的结合有重要的意义;在题画方式方面,出现了自画自题和画上题诗的题画方式,并基本完成了评画赏画手法上的探索;从题画诗人来看,唐代的杜甫、白居易和刘商为后人树立了三种不同意义的典范。唐代题画诗对题画诗本身的发展和中国文人画的形成都具有深远的影响。

On the Pioneering Contribution of Poems with Paintings in the Tang Dynasty to the Stylistic Rules and Layout

It was in the Tang Dynasty that the combination of poems and paintings made significant progress,which was demonstrated by the poems with paintings in the dynasty.Occupying an important position in the history of Chinese poetry and the history of Chinese paintings,poems with paintings in the Tang Dynasty created and regulated the basic stylistic rules and layout and made poems with paintings a special type of poem.Their pioneering contribution mainly includes three aspects.Firstly,the range of poem style was widened,and not limited in the poem with lines of four or five characters each.Secondly,poets in the Tang Dynasty started to inscribe poems on their own paintings or on others'.Thirdly,many painting-commenting techniques were created.Three poets,Du Fu,Bai Juyi and Liu Shang,set three distinctive models for the followers of poems with paintings.In a word,poems with paintings in the Tang Dynasty exert a far-reaching influence upon the development of pomes with paintings and Chinese intellectual paintings.