| 象牙的雕刻——略论曹禺戏剧的细部艺术 |
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| 引用本文： | 俞春玲. 象牙的雕刻——略论曹禺戏剧的细部艺术[J]. 盐城师范学院学报, 2008, 28(1): 65-67 |
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| 作者姓名： | 俞春玲 |
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| 作者单位： | 俞春玲（武汉大学,文学院,湖北,武汉,430072） |
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| 摘 要： | 与中国现代其他剧作家相比,曹禺充分考虑了戏剧作为舞台艺术的特质,更注重也更圆熟地处理了场面、道具、节奏等细节因素,从而创作出堪称中国现代戏剧成熟标志的剧作。
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| 关 键 词： | 曹禺 戏剧 细部 |
| 文章编号： | 1003-6873(2008)01-0066-03 |
| 修稿时间： | 2007-10-15 |
On Detailed Artistic Techniques of CaoYu's Dramas |
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| YU Chun-ling. On Detailed Artistic Techniques of CaoYu's Dramas[J]. Journal of Yancheng Teachers College(Humanities & Social Sciences Edition), 2008, 28(1): 65-67 |
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| Authors: | YU Chun-ling |
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| Affiliation: | YU Chun-ling(School of Literature; Wuhan University; Wuhan; Hubei 430072; China); |
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| Abstract: | CaoYu considers the drama to be the stage art as well,paying attention to some detail factors better in his creations,such as the choice of the scenes,the usage of props,and the dispensation of rhythm.Thus his dramas could be considered as the mature model of Chinese modern dramas. |
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| Keywords: | CaoYu drama detailed artistic techniques |
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