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论古代戏曲音乐的形成和民族文化融合
引用本文:田同旭. 论古代戏曲音乐的形成和民族文化融合[J]. 山西大学学报(哲学社会科学版), 2007, 30(5): 30-35
作者姓名:田同旭
作者单位:山西大学,文学院,山西,太原,030006
摘    要:十六国北朝时期,西域各民族部乐进入中原,与中原传统音乐相杂融合,产生了八十四调,为古代戏曲宫调音乐的形成,奠定了良好的艺术基础;金元时期,传入中原的胡乐蕃曲,则对古代戏曲独特的音乐风格的形成,发生直接影响。十六国北朝与金元两代,都是古代各民族融合的重要时期。古代戏曲音乐的形成,是各民族文化融合的艺术结晶。

关 键 词:戏曲音乐  八十四调  诸宫调  胡乐蕃曲  民族文化融合
文章编号:1000-5935(2007)05-0030-06
修稿时间:2007-07-08

Discussion on the Formation of the Ancient Drama Musicand the Fusion of National Culture
TIAN Tong-xu. Discussion on the Formation of the Ancient Drama Musicand the Fusion of National Culture[J]. Journal of Shanxi University(Philosophy and Social Sciences Edition), 2007, 30(5): 30-35
Authors:TIAN Tong-xu
Abstract:In the Sixteen kingdom and North dynasty,the music of the western regions and all the surrounding nations entered the Central Plains,merging with the Central Plains's traditional music,thus the eighty-four tunes came into being,which laid the foundation for the traditional opera music and had a direct influence on its unique style in the Jin,Yuan dynasties.Both of the two dynasties are the important periods when all the nations merged together.The formation of the traditional opera music is the artistic crystal of National culture fusion.
Keywords:traditional opera music  eighty-four tunes  medleys  alien music  national cultural fusion  
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