| 通向艺术本源论的几个概念 |
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| 引用本文： | 陈开晟,咸丰霞.通向艺术本源论的几个概念[J].阴山学刊,2005,18(6):43-45. |
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| 作者姓名： | 陈开晟 咸丰霞 |
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| 作者单位： | 中国人民大学中文系 北京100872(陈开晟)，福建师范大学中文系 福建福州350007(咸丰霞) |
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| 摘 要： | 研读海德格尔的作品,首先遭遇的是一系列晦涩难解的概念。海氏在使用那些关键概念时呈现出这样的特点:非常注重从词源学角度考察概念的原初语义;不断繁衍出一系列新的概念去替换原有的语词,从而推进他的思想。通过选取艺术本源论中的几个主要概念,在他的思想体系中对它们进行考察,使我们能透过其概念运转的背后更加趋近海氏的存在论艺术观。
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| 关 键 词： | 艺术本源 存在 争执 真理 |
| 文章编号： | 1004-1869(2005)06-0043-03 |
| 修稿时间： | 2005年8月26日 |
Several Concepts Leading to the Artistic Origin Theory |
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| CHEN Kai-sheng,XIAN Feng-xia.Several Concepts Leading to the Artistic Origin Theory[J].Yin Shan Academic Journal,2005,18(6):43-45. |
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| Authors: | CHEN Kai-sheng XIAN Feng-xia |
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| Institution: | CHEN Kai-sheng1,XIAN Feng-xia2 |
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| Abstract: | A series of difficult concepts will firstly appear when we read Heidegger's works.In using the key concepts,Heidegger investigates the original meaning of the concepts from the etymons,generates a series of new concepts to replace the former words so as to improve his thinking.Selecting some main concepts of artistic origin theory and investigating them in Heidegger's thinking system,we could approach to the aesthetic view of ontology. |
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| Keywords: | artistic origin ontology argument the truth |
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