| 从《小武》到《三峡好人》：变化时空下的不变主题 |
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| 引用本文： | 魏佳妮. 从《小武》到《三峡好人》：变化时空下的不变主题[J]. 重庆邮电学院学报(社会科学版), 2009, 0(2): 106-109 |
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| 作者姓名： | 魏佳妮 |
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| 作者单位： | 贵州师范大学文学院; |
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| 摘 要： | 贾樟柯影片的魅力在于他在表现社会现实的同时，还赋予了具体的、三维的立体空间以时间的向度，从而使其具有了四维性和鲜活性。只是不同的影片表现了转型期中国不同阶段的时空。以时间为线、空间为点，用时间的线穿上空间的点，就可以很明确地梳理出贾樟柯电影的时空线索，凸现出他对转型期中国的关注，对边缘人群的人文关怀和尊重。
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| 关 键 词： | 贾樟柯影片 时间 空间 转型期中国 |
From Xiao Wu to Still Life: The Invariable Theme in the Variable Space Time |
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| WEI Jia-ni. From Xiao Wu to Still Life: The Invariable Theme in the Variable Space Time[J]. Journal of Chongqing University of Posts and Telecommunications(Social Science Edition), 2009, 0(2): 106-109 |
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| Authors: | WEI Jia-ni |
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| Affiliation: | College of Chinese Language and Literature;Guizhou Normal University;Guiyang 550001;China |
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| Abstract: | The enchantment of Jia Zhangke's films is from that it shows the social reality and endow the material,three-dimensional and solid space with the orientation of time,which provides it with four-dimension and reality.However,different film displays different stage of China's transitional period.Taking the time as the thread and the space as the point and using the thread of time to go between the points of space,the clue of time and space for Jia Zhangke's films can be definitely grasped.It shows his attenti... |
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| Keywords: | Jia Zhangke's films time space transitional period of China |
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