怨恨与区隔——论张资平与无产阶级文学的相遇

张资平与无产阶级文学的真正相遇发生在1928年,恰是“革命+恋爱”小说模式风头正劲的时候,而恋爱小说又是张资平最主要的文学资本。因此,这种相遇原本应该是一出喜剧。不过,恋爱在“革命+恋爱”的小说模式中已经沦为革命的附属品,加之,张资平的怨恨情绪使得他的创作转向虽挂革命文学的旗号,却又与无产阶级文学形成了区隔。左翼文学阵营对张资平的“转向”也进行了自觉的区隔。“腰斩”事件虽非左翼阵营所主导,却有着左翼文学观念的影响。这种区隔行为除了主义之争,也有怨恨情绪存在。张资平的文学史地位与他的叙事主体合法性密切相关。随着张资平文学史自我叙事主体合法性的丧失,中国现代文学史的叙事也逐渐将之视为他者。

Resentment and division: On Zhang Ziping's Encounter with Proletarian Literature

Zhang Ziping's contact with proletarian literature took place in 1928,just when the fictional mode of"revolution plus love"was in full swing,and love novels were Zhang's main literary achievements.Therefore,this kind of contact should have been a comedy.However,in the fictional mode of"revolution plus love",love had become an appendage of revolution.In addition,his resentment isolated his creation from the proletarian literature.The left-wing literary camp also consciously separated Zhang Ziping's"turn".Although the event was not dominated by the left-wing camp,it had been influenced by the left-wing literary concept.In addition to the controversy of doctrine,there was also resentment.Zhang's position in literary history is closely related to the legitimacy of his narrative subject.With the loss of the legitimacy of his self narrative subject in literary history,the narrative of modern Chinese literary history gradually regarded it as the other.