| 试论中国佛教文化的三元一体结构 |
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| 引用本文： | 王进. 试论中国佛教文化的三元一体结构[J]. 河南工业大学学报(社会科学版), 2008, 4(3): 55-57 |
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| 作者姓名： | 王进 |
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| 作者单位： | 四川大学道教与宗教文化研究所,四川成都610064 |
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| 摘 要： | 中国佛教文化是由佛教器物、佛教惯制与佛教理念3个不同层次的文化单元共同组成的三元一体结构。在此结构中，3个文化单元之间相互作用，相互制约，是一种有机结合和彼此关联的统一关系。在佛教文化的变迁过程中，“文化堕距”使得3个文化单元更加紧密地聚合为一体。
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| 关 键 词： | 佛教文化 佛教器物 佛教理念 佛教惯制 三元一体结构 文化堕距 |
ON THE TERNARY INTEGRATED STRUCTURE OF THE CHINESE BUDDHIST CULTURE |
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| WANG Jin. ON THE TERNARY INTEGRATED STRUCTURE OF THE CHINESE BUDDHIST CULTURE[J]. Journal of Henan University of Technology(Social Science Edition), 2008, 4(3): 55-57 |
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| Authors: | WANG Jin |
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| Affiliation: | WANG Jin (Taoism and Religious Culture Research Institute ,Sichuan University, Chengdu, 610064, China) |
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| Abstract: | The Chinese Buddhist culture is the ternary integrated structure. It is jointly composed of the Buddhist concept, Buddhist artifacts, Buddhist custom and system, which are three different levels of cultural units. In this structure, there is mutual interaction and constraints among the three cultural units, which are organically integrated, interrelated and united. ＂Culture lag＂ makes the three cultural units polymerized more closely as a whole in the course of changes of the Buddhist Culture. |
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| Keywords: | Buddhist culture Buddhist artifacts Buddhist concept Buddhist custom and system ternary integrated structure culture lag |
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