首页 | 本学科首页   官方微博 | 高级检索  
     检索      

中西诗学从对立走向融合——论20世纪中国现代主义诗歌的“诗学革命”
引用本文:陈旭光.中西诗学从对立走向融合——论20世纪中国现代主义诗歌的“诗学革命”[J].北京大学学报(哲学社会科学版),2000(5).
作者姓名:陈旭光
作者单位:北京大学艺术学系!北京100871
摘    要:中国现代主义诗学是在西方现代主义诗学与中国古典诗学的双重文化背景下生成的 ,是本世纪中西文化交流和诗学融会的产物 ,它的成熟构成了对古典诗歌美学传统的“二次革命”。在这一生成过程中 ,西方现代主义诗学 /中国古典诗学、现代化 /民族化呈现出互相消长、对立、融合的态势。中国现代主义诗学在中国古典诗学的纵向制约与西方现代主义诗学的横向影响的双重作用下 ,在诗歌观念、诗思方式、诗学策略等方面产生了从古典诗学到现代主义诗学的种种变异

关 键 词:现代主义诗学  中国古典诗学  “诗学革命”

On the Poetic Revolution of the Modernism in the Chinese Poetry in the 20th Century
CHEN Xu\|guang.On the Poetic Revolution of the Modernism in the Chinese Poetry in the 20th Century[J].Journal of Peking University(Humanities and Social Sciences),2000(5).
Authors:CHEN Xu\|guang
Abstract:Chinese modernist poetry was produced under the cultural backgrounds of western poetry and Chinese classical poetry, and it is the production of cultural communication and the merging of poetry in this century. It is the second revolution to the aesthetic tradition of classical poetry. In this process, the western modernist poetry and the Chinese classical poetry, modernization and nationalization are opposed and merged. The western modernist poetry and Chinese classical poetry affect the conceptions, the way of thinking, the tactics of Chinese modernist poetry.
Keywords:modernist poetry  Chinese classical poetry  poetic revolution
本文献已被 CNKI 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号