| 人民记忆的符号传播与精神寄寓的文化表达——再论“新写实” |
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| 引用本文： | 聂茂.人民记忆的符号传播与精神寄寓的文化表达——再论“新写实”[J].云梦学刊,2006,27(3):83-87. |
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| 作者姓名： | 聂茂 |
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| 作者单位： | 中南大学文学院,新闻系,湖南,长沙,410083 |
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| 摘 要： | "新写实"的创作主体试图苦心经营出一个"普通百姓的生存空间",但实际看到的却是一切"生存空间都已经被集体意志所侵蚀、所消解化了".他们共同努力,用"人民记忆"抵抗第一世界的"话语渗透"和本土文明的"自茧行为".这个时期的经典文本虽然隐喻着创作主体的生存"尴尬",但也寄寓着作者透过文化生产对权力场域"反抗"的精神 指归.
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| 关 键 词： | 人民记忆 符号传播 文化表达 |
| 文章编号： | 1006-6365(2006)03-0083-05 |
| 修稿时间： | 2006年1月14日 |
THE SYMBOL COMMUNICATION OF PEOPLE'S MEMORY AND CULTURAL REPRESENTATION OF SPIRITUAL ALLEGORY: Review on New Realism |
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| NIE Mao.THE SYMBOL COMMUNICATION OF PEOPLE'S MEMORY AND CULTURAL REPRESENTATION OF SPIRITUAL ALLEGORY: Review on New Realism[J].Journal of Yunmeng,2006,27(3):83-87. |
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| Authors: | NIE Mao |
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| Abstract: | The creative subject of New Realism tried their best to establish a life space for common people, they failed. In fact, they met the life space eroded by the country's power and politics. They made their great efforts with peoples memory to stand against the western discourse and Self-tied action of themselves. The classical texts in the period presented a metaphor of embarrassing life style from the creative subject as well as the spiritual indication of resistance from the cultural production. |
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| Keywords: | people's memory symbol communication cultural representation |
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