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印度传统诗学民族话语初探
引用本文:侯传文.印度传统诗学民族话语初探[J].南亚研究,2010(3):145-154.
作者姓名:侯传文
作者单位:青岛大学文学院
摘    要:关注文学本体的审美精神、形而上追求的超越精神和语言中心意识,是印度传统诗学民族话语的基本特征。其审美精神中既有对外在的形体美的关注,也有对内在的诗的灵魂的探讨以及对关感即审美享受的重视;其超越精神主要表现为解脱和虔诚的终极性超越,也有非功利的超俗性和重意蕴的超象性追求;其语言中心意识主要表现为以修辞学为核心的庄严论的发达,以及基于语言学的对诗的理解和认识。印度传统诗学中的审美精神与唯美主义、超越精神与神秘主义、语言中心意识与形式主义具有内在的联系而没有绝对的界限。

关 键 词:印度诗学  民族话语  审美精神  超越精神  语言中心  意识

A Preliminary Probe into Some Basic Discourses in Traditional Indian Poetics
Hou Chuanwen.A Preliminary Probe into Some Basic Discourses in Traditional Indian Poetics[J].South Asian Studies,2010(3):145-154.
Authors:Hou Chuanwen
Institution:Hou Chuanwen
Abstract:Aesthetic focus upon literature itself, transcendental spirit for the sake of metaphysical pursuit and the consciousness of language as the center were basic features of traditional Indian poetic discourses. While attaching importance to external formal beauty, the aesthetic mind of Indian poetics also explored the internal poetic soul; the transcendental spirit mainly aimed at deliverance and some other aesthetic goals ; the consciousness of language as the center was reflected in the development of various alamkara theories. Although there was inner linkage between aesthetic spirit and aestheticism, transcendental spirit and mysticism, and the consciousness of language as the center and formalism, all these pair notions had no absolute limits.
Keywords:Indian poetics  national discourses  aesthetic spirit  transcendental spirit  consciousness of language as the center
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