| 论曲谱的产生及其完善 |
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| 引用本文： | 俞为民. 论曲谱的产生及其完善[J]. 淮海工学院学报(社会科学版), 2005, 3(2): 66-70 |
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| 作者姓名： | 俞为民 |
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| 作者单位： | 南京大学中文系,江苏,南京,210097 |
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| 基金项目： | 全国艺术科学研究“十五”规划立项课题(01BB18) |
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| 摘 要： | 通过对曲谱产生渊源及其发展过程的阐释和分析,认为曲谱是曲调的句式、字声、韵位等曲体的具体表现,而曲谱的产生,始于文人参与曲的创作与对曲的律化,进而指出南北曲谱皆产生于元代,并随着戏曲的发展与曲调的律化,得到进一步的完善和发展。
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| 关 键 词： | 戏曲 曲谱 曲调 律化 发展 完善 |
| 文章编号： | 1008-3499(2005)02-0066-05 |
| 修稿时间： | 2005-04-18 |
Origination and Perfection of Opern |
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| YU Wei-min. Origination and Perfection of Opern[J]. Journal of Huaihai Institute of Technology, 2005, 3(2): 66-70 |
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| Authors: | YU Wei-min |
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| Abstract: | On the basis of a clarification and analysis to the origination and development of opern, this paper holds that opern is the concrete manifestation of the musical tones, notes, and patterns of different music types. It originates from human participation and his creation and rhythmicalization of musical tunes. As is pointed out, operns, whether the Southern or Northern ones, first begin at the Yuan Dynasty, and come to perfection in accordance with the development of operas and the rhythmicalization of musical tunes. |
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| Keywords: | opera opern musical tunes rhythmicalization development perfection |
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