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试论当代京味儿文学的美学特征
引用本文:李东芳. 试论当代京味儿文学的美学特征[J]. 北京社会科学, 2010, 0(2): 18-22. DOI: 10.3969/j.issn.1002-3054.2010.02.002
作者姓名:李东芳
作者单位:北京语言大学,汉语进修学院,北京,100083
基金项目:北京市哲学社会科学十一五规划重点项目(06AaWY004)
摘    要:20世纪80年代出现的京味儿文学,被一群外乡作家建构为一个理想的精神故乡,舍利取义成为核心道德化的城市品格,但在商品化社会冲击下又掩饰不住对这种文化理想衰败的担忧;90年代新京味儿的美学特征主要是自王朔兴起,被冯小刚贺岁片借重成为关键特征的"调侃",将新京味儿的体验方式和独特视角固定下来;叶广芩的宫廷京味儿元素的复出,又在历史想象的还原上为京味儿文化开拓了审美空间。

关 键 词:京味儿  审美  想象

The Aesthetic Transformation of Contemporary Jingweier Literacture
LI Dong-fang. The Aesthetic Transformation of Contemporary Jingweier Literacture[J]. Social Science of Beijing, 2010, 0(2): 18-22. DOI: 10.3969/j.issn.1002-3054.2010.02.002
Authors:LI Dong-fang
Affiliation:College of Advanced Chinese Training;BLCU;Beijing 100083;China
Abstract:The Jingweier Literature of the 1980s are constructed as an ideal hometown by a group of non-Beijingers in whose works the moralized city quality are emphasized and the worries about the downfall of this cultural ideal are shown meanwhile.The aesthetic characteristics of 1990s’Jingweier Literature is the ridicule from the works of Wangshuo,which have been adapted into the films of Feng Xiaogang.Ye Guangchen’s rogal Jingweier Literature expands the aesthetic space of historical imagination.
Keywords:Jingweier  aesthetic  imagination  
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