| 荒诞派戏剧的成就与局限 --尤奈斯库的《头儿》漫论 |
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| 引用本文： | 杨丽娟. 荒诞派戏剧的成就与局限 --尤奈斯库的《头儿》漫论[J]. 北方论丛, 2005, 0(6): 60-63 |
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| 作者姓名： | 杨丽娟 |
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| 作者单位： | 台州学院,中文系,浙江,临海,317000 |
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| 摘 要： | <头儿>是荒诞派戏剧大师尤奈斯库的一部早期剧作,它较为突出地展现了荒诞派戏剧的基本艺术特征.在<头儿>中,人们欢呼雀跃地等待"头儿"的出现,而最终看到的却是一个"没有头"的"头儿".剧作家以此揭示20世纪中叶,人类精神家园的失落和强烈的虚无感.在这样的世界里,人存在的个性价值没有意义的,人与人之间所达成的关系是偶然的,人与人之间的相互认识是不可能的.
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| 关 键 词： | 荒诞 虚无 重复映衬 细节 |
| 文章编号： | 1000-3541(2005)06-0060-04 |
| 收稿时间： | 2005-08-26 |
| 修稿时间： | 2005-08-26 |
The achievement and limitation on fantastic school drama -- Informal discussion about Lnoesco's Touer |
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| YANG Li-juan. The achievement and limitation on fantastic school drama -- Informal discussion about Lnoesco's Touer[J]. The Northern Forum, 2005, 0(6): 60-63 |
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| Authors: | YANG Li-juan |
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| Affiliation: | Taizhou University, Lin hai, Zhejiang 317000, China |
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| Abstract: | Touer , which is an early dramatic work by fantastic school drama Master Lnoesco, has prominently shown the basic artistic characteristic of the fantastic school drama. In Touer, the people cheer up waiting the head, but what they got is a Touer of "having no head". The playwright opens out the losing of mankind spirit homestead and strong unreal feeling during the middle period of 20 centuries. In such world, the individuality value that the human exists has not the significance, the relation between people is accidental, and human mutual understanding is not impossible. |
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| Keywords: | fantastic unreal feeling repetition complementing detail |
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