论《野草》名实空间的文化意义

在《野草》中,＂名＂如＂鬼打墙＂一般弥散成＂无物之阵＂。＂无主名杀人团＂和＂有主名假象＂导致了＂实＂的本质被遮蔽和当下行动的缺席。通过＂无名＂身份与＂共名＂效应的比照、＂有名＂身份与＂正名＂困境的反讽等叙事方式的建构,＂实＂的本质被还原。鲁迅秉持弃＂名＂崇＂实＂的现世情怀,以＂执着现在＂为内核,强调当下之行,其文学史意义是不容忽略的。

On the Culture Theme of the Fame and Object Space in Weed

Fame,just like Ghost hits the wall diffuses into array of nothing in Weed.The kill corporation of no principal fame and the illusion of principal fame leads real nature to be obscured and immediate action to be absent.Through constructions of narrative patterns such as the contrast of unknown status and a total fame,the irony of famous status and rectification of names,the real nature is restored.Lu Xun who regarded the persistent now as the core,holding on the contemporary feelings and abandoning the fame and worship object,emphasized the moment of the trip.The significance in literary history can not be ignored.