失衡的转向──“破”与“立”与1958年《人民文学》的叙事策略

1958年《人民文学》的叙事策略围绕着“破”与“立”做了许多重要改革。这主要表现在：破“文学即人学”的文学观，立“两结合”创作方法；破个体创作主体论，立集体创作主体论；破“批判现实主义”，立“革命的浪漫主义”。以《人民文学》叙事策略的这种转向为标志，50年代末文学创作在总体上开始向“工具论”和“武器论”转型。

Imbalanced Turning--"Destructions" and "Establishments" and the Narrate Policy of the PEOPLE'S LITERATURE in 1958

The narrate policy of the PEOPLE'S LITERATURE in 1958 made many important changes. These changes surrounded the “Destructions” and “establishments”: Destroy the literary view of “Literature means Humanity” and establish “Twin Combination” compose measure; destroy the view of “Individual is the subject”and establish the view of “Collectivity are the subject”; destroy “Critical Realism” and establish “Revolutionary Romanticism”. The turning of the narrate policy of the PEOPLE'S LITERATURE is a symbol: the literary compose would transform into “organon”.