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论初盛唐诗人的感兴观
引用本文:陈允锋. 论初盛唐诗人的感兴观[J]. 北京交通大学学报(社会科学版), 2002, 1(2): 70-73,79. DOI: 10.3969/j.issn.1672-8106.2002.02.016
作者姓名:陈允锋
作者单位:中央民族大学中文系,北京,100081
摘    要:初盛唐诗人的感兴观有三大特点,即普遍性、个性化和辨证性.普遍性是指感兴观在这一时期非常盛行,几乎所有善于写诗的作家都把感兴视为创作活动的基础.个性化是指初盛唐诗人的感兴观与创作主体的性情、人生价值取向以及生平遭际有着明显的联系,呈现出鲜明的个性色彩.辨证性则是针对感兴之自然与构思之经营的关系而言,诗人们往往才情性灵和功力苦思并重,使感兴观成为唐代意境论的重要组成部分.

关 键 词:感兴观  普遍性  个性化  辨证性
文章编号:1671-9514(2002)02-0070-04
修稿时间:2002-08-30

On the Poet''''s Views of the Urge for Poetic Creation in the Early and Heyday Tang Dynasty
CHEN Yun-feng. On the Poet''''s Views of the Urge for Poetic Creation in the Early and Heyday Tang Dynasty[J]. Journal of Beijing Jiaotong University Social Sciences Edition, 2002, 1(2): 70-73,79. DOI: 10.3969/j.issn.1672-8106.2002.02.016
Authors:CHEN Yun-feng
Abstract:In the early and heyday Tang Dynasty, the poet's view of the urge for poetic creation reveals three characteristics: universality, individuation, and dialecticity. Universality refers to the fact that most poets of the time believed that creative impulse was very essential to their poetic composition. Individuation means that the poet's creative impulse was very closely related to his temperament, individual values and experiences, and thus very much personalized. Dialecticity includes the interaction between the poet's creative spontaneity and his practice of poetic composition, that is, the combination of his ability and sensibility with his literary meditation and craftsmanship.
Keywords:views of creative impulse  universality  individuation  dialecticity  
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