纠偏与制衡:1940年代中国现代诗学的自觉追求

1940年代是中国现代诗学成熟的年代,其主要标志是各种诗学呈现出文化融合的趋势,即朝着一切可能融合的方向发展.独创性寓于变化之中,每一种独特的个性都可以创造出一种独特的融合来.这一时期的现实主义、浪漫主义和现代主义就不像以往那样泾渭分明,老死不相往来.正因为如此,才有这种借"他山之石,可以攻玉"的可能.也就是说,有了自己与其他诗学的参照,才能更明晰自己的不足和缺陷."纠偏"与"制衡"便成为这一时期现代诗学的共同主题.纠偏实际上是对本诗歌思潮内部出现的问题进行纠正.制衡主要是针对其他诗歌思潮的弊端进行反拨和约束,它往往是以论争的形式出现.实践证明:只有通过对内对外的纠偏与制衡,才能促进诗歌文化的融合与繁荣.

Correction and Check and Balance:the Conscientious Pursuit of Modern Chinese Poetry in the 1940s

The 1940s is the era of modern poetry matured,its main indicator is that various poetry show the trend of cultural integration. Originality resides in the midst of change,each a unique personality can create a unique fusion of past. Realism,romanticism and modernism in this period begin integration each other. Therefore,reference each other is possible. Through reference,we have know our inadequacies and shortcomings. Correction and check and balance has become a common theme of modern poetry in this period...