| 格律诗平仄格式的规律及其应用 |
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| 引用本文： | 李岗.格律诗平仄格式的规律及其应用[J].西南交通大学学报(社会科学版),2005,6(1):68-71. |
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| 作者姓名： | 李岗 |
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| 作者单位： | 西南交通大学艺术与传播学院,四川,成都,610031 |
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| 摘 要： | 格律诗十六种格式有着内在的联系,可以以五绝为核心简化为四种格式。五绝的四种格式的平仄具有二字音步、平仄交错、粘对联系、出仄对平和音步重音等五条规律可寻,并可以根据这五条规律推导出格律诗的十六种格式。
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| 关 键 词： | 格律 平仄 规律 推导 |
| 文章编号： | 1009-4474(2005)01-0068-04 |
| 修稿时间： | 2004年9月24日 |
The Rules and Application of Tonal Patterns of Metrical Verses |
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| LI Gang.The Rules and Application of Tonal Patterns of Metrical Verses[J].Journal of Southwest Jiaotong Universit(Social Science Edition),2005,6(1):68-71. |
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| Authors: | LI Gang |
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| Abstract: | The sixteen interrelated forms of metrical verses can be simplified into four forms if this reduction in forms is centered on the metrical verse of four five-character lines. The four types of tonal patterns of the metrical verse of four five-character lines have five rules to go by. And all the sixteen forms of metrical verses can be deduced from those five rules. |
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| Keywords: | metrical pattern tonal pattern rule deduction |
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