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现代绘画的抽象性
引用本文:王宜川,刘坤.现代绘画的抽象性[J].合肥工业大学学报(社会科学版),2004,18(2):93-96.
作者姓名:王宜川  刘坤
作者单位:合肥工业大学,人文经济学院,安徽 合肥 230009;合肥工业大学,人文经济学院,安徽 合肥 230009
摘    要:现代绘画的抽象性表现在现代绘画各流派之中,侧重主观表现,而非客观反映。画家运用抽象性的线和块面及非描绘性的色彩表现事物的内涵和艺术家的主观情感。这种抽象性也就是画家对理念与感觉进行探索,并使之昭显的最完美的载体,是艺术家运用绘画自身的形式语言(包括色彩、线条、块面等)表现其内心需要的一种方式或手段,并将其看作是适合自己创作的主题。

关 键 词:现代绘画  抽象性  主观情感
文章编号:1008-3634(2004)02-0093-04
修稿时间:2003年9月28日

On the abstraction of modern painting
WANG Yi-chuan,LIU Kun.On the abstraction of modern painting[J].Journal of Hefei University of Technology(Social Sciences),2004,18(2):93-96.
Authors:WANG Yi-chuan  LIU Kun
Abstract:The abstraction of modern paining is reflected in all schools of modern painting, and it lays special emphasis on subjective expression rather than objective reflection. By using lines and plane surfaces of abstraction and non-depictive colors, painters express the connotation of motif and their own subjective feelings. The abstraction is painters' explorations of idea and feeling and is the carrier that makes the idea and feeling clear and perfect. It is one of the methods or measures in which painters use formal languages of painting itself, including colors, lines, plane surfaces etc., to express their inner needs and painters view it as their most suitable motif.
Keywords:modern painting  abstraction  subjective feelings  
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