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论先秦审美意识的发端
引用本文:霍然. 论先秦审美意识的发端[J]. 宁夏社会科学, 2004, 3(3): 96-98
作者姓名:霍然
作者单位:杭州电子科技大学人文学院,浙江,杭州,310037
摘    要:从宏观的角度考察 ,山顶洞人粗陋的装饰品的出现 ,不仅将我国工艺美术的源头上溯到旧石器时代后期 ;而且昭示出山顶洞人之原始宗教观念 ,以及原始初民爱美、追求美时 ,那由朦胧而逐渐清晰起来的历史足迹。

关 键 词:先秦  工艺美术  审美意识
文章编号:1002-0292(2004)03-0096-03
修稿时间:2004-01-12

On the Beginning of the Aesthetic Consciousness of Xian Qin
Huo Ran. On the Beginning of the Aesthetic Consciousness of Xian Qin[J]. Social Sciences in Ningxia, 2004, 3(3): 96-98
Authors:Huo Ran
Abstract:Investigate from the macroscopical angle, not only will the appearance of adornment of the Upper Cave Man trace the beginning of Chinese industrial art to the later period of the Old Stone Age, but also declare the primitive religious concept pf the Upper Cave Man, and the historic footprint of the primitive humankinds which becoming distinct from dim when they looking forward to being more beautiful and attractive by wearing ornament.
Keywords:Xian Qin   Industrial Art   Aesthetic Consciousness
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