中国民间文艺学史上的民俗学派

1949年前的20世纪前期民间文艺学史上,不仅存在着流派,而且存在着不同的流派,这些在理论、观念、方法上不同的流派,形成学科的多元格局。这些流派是:北大歌谣研究会派、"古史辨"派神话学、文学人类学派、俗文学派、社会-民族学派、延安学派和民俗学派。它们以一定的社会文化环境为依存和发展的条件,分别有自己的代表人物、理论纲领和代表作。流派的存在和多元格局既促进了中国民间文艺学的本土化发展,又显示了中国民间文艺学的边缘性、跨学科性和不成熟性。

The Folk -custom Schools in the History of Chinese Folk Art

In the history of Folk Art in the former 20th century.There exists various schools with different theories,notions and approaches.They are as follows:The School of Institute of Ballad in Peking University,The School of Mythology with a Detate over the Ancient History,The School of Literal Anthropology,The School of Popular Literature,The School of Social-Nationality,The Yan'an School and the Folk-custom School.Existing and developing upon the particular social and cultural conditions,they own their own representatives,notional creeds and masterpieces.The existence of various schools and the multiple structure not only promote the Native Culture of Chinese Folk Art,but also show the marginality,inter-discipline and immaturity of Chinese Folk Art.