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“流意发音”“穆耳协心”——王夫之诗歌声律论评析
引用本文:王思焜. “流意发音”“穆耳协心”——王夫之诗歌声律论评析[J]. 暨南学报(哲学社会科学版), 2001, 23(6): 97-101
作者姓名:王思焜
作者单位:江苏教育学院 江苏南京200013
摘    要:王夫之揭示声律音韵之美既是诗区别于经史典籍的文体特征 ,也是诗“以声动人” ,产生艺术感染力的重要因素 ,声调节奏源于内心情感的律动 ,二者必须协合和谐。由此标举“声情” ,并围绕“穆耳协心”这一准则加以论述

关 键 词:王夫之  诗歌  声律  声情
文章编号:1000-5072(2001)06-0097-05
修稿时间:2001-07-16

Comment on WANG fu-zhi's Theory of Poetic Rhythm
WANG Si-kun. Comment on WANG fu-zhi's Theory of Poetic Rhythm[J]. Journal of Jinan University, 2001, 23(6): 97-101
Authors:WANG Si-kun
Abstract:WANG fu-zhi pointed out that the beauty of tone and rhythm was the of poems that was differentiated from other literary forms and also was the important factor that poems "tug at men's heartstrings with the sound" and produced the artistic appeal. The tone and rhythm stemmed from the rhythm of the emotion in heart, the two must be coordinated and in perfect harmony. From this, he clearly put forward "having both sound and emotion"and expounded the standard of "pleasing to the ear and coordinating to the heart".
Keywords:WANG Fu zhi  poetry  sound rhythm law  sound and emotion
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