论二十世纪初小诗体的艺术建构

二十世纪二十年代在中国诗坛上兴起的以冰心、宗白华为代表的小诗体创作的热潮,作为现代诗歌革命的一种阶段性的收获,达成了现代诗神与形两者相对平衡的艺术效果,唤醒了传统诗灵,但是由于缺乏一种文体类型应该具有的体的自觉与规范而告一段落。小诗体的矛盾运作过程诠释的是一个个热情的、寂寞的诗灵在寻找躯体的历史,为在古今中外的文化建构之中找寻新诗体的突围之路提供了可贵的教训和借鉴。

On the Artistic Construction ofSmallVerseduring the 1920s in China

During the 1920s in China,as role models,Bingxin and Zongbaihua propelled a small verse revolution. As one of the initial gains of modern Chinese poetry,it achieved a relative balance between verve and shape of modern Chinese poetry.The artistic effect arouses the great traditional spirit of Chinese poetry.But due to lack of a literary style conscientious and standardized operating process,the small verserevolution came to an end,which testified a history of Chinese poetry in search of its body.