| 波德莱尔美学现代性思想的反宗教结构 |
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| 引用本文： | 周小莉.波德莱尔美学现代性思想的反宗教结构[J].湛江师范学院学报,2014(1):93-95,100. |
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| 作者姓名： | 周小莉 |
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| 作者单位： | 兰州大学文学院,甘肃兰州730020 |
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| 基金项目： | 2010年度国家社会科学基金西部项目（10XWW011）. |
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| 摘 要： | 波德莱尔美学现代性思想的核心是突破美的恒定模式,肯定美的当下性、瞬时性、多变性,而他对永恒美的突破又集中体现为对宗教的背离。其诗集《恶之花》正是这种背离的感性呈现,借助由天堂到地狱的反宗教结构,将属于审美范畴的"永恒/瞬间"、"古典/现代"、"理性/非理性"等问题具体化为"上帝/撒旦"、"灵魂/肉体"、"崇高/罪恶"等二元结构,表达了波德莱尔美学现代性思想的内涵及他对永恒美的突破。
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| 关 键 词： | 波德莱尔 《恶之花》 审美现代性 反宗教 |
Anti-Religious Structures in Baudelaire＇s View of Aesthetic Modernity |
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| Institution: | ZHUO Xiaoli (School of Literature, Lanzhou University, Lanzhou, Gansu 730020, China) |
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| Abstract: | The core of Baudelaire＇s aesthetic modernity view is to break consistent patterns of beauty, and maintain a very positive attitude toward contemporariness, instantaneity, variability of beauty. His breakthrough to the eternal beauty embodies religious deviation, and Flowers of Evil emotionally displays the above deviation. Through anti-religious structure from heaven to hell the problems such as ＂eternal and instantaneous＂, ＂classical and modern＂, ＂rational and irrational＂ are embodied to＂God and Satan＂,＂ soul and body＂,＂iofty and evil＂ in this anthology. These binary structures clarify Baudelaire＇s aesthetic modernity view. |
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| Keywords: | Baudelaire Flowers of Evil ~ aesthetic modernity anti-religious |
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