口语诗的情色书写批判

情色书写介于色情与情爱书写之间,伟大的情色书写,往往能在灵、肉之关系上达成微妙的平衡,处理不当,则很容易忽视"情"而滑向"色",落入铺陈肉体欲望与行为的色情陷阱;口语诗中以下半身写作为代表的凸显肉体感、在场感的理论主张,虽然对趋于僵硬、虚伪的体制化写作产生了一定的冲击,但他们的作品却没能担当这种叛逆美学的重任;他们凭借回到动物性肉体体验以获得艺术审美体验的希望,恰如南辕北辙无法实现。同样,通过表现生殖器快感去返回诗歌的本质,最终也只能是竹篮打水一场空;口语诗中的情色之作仅仅处于"物之诗"、"欲之诗"的阶段,必须经过情与美的洗涤与转换,才有可能上升为存在之诗、真理之诗,进而才配称为"人之诗"。

Critique of Erotic Writing in Colloquial Language Poems

Erotic writing stays between pornographic and love ones.Great erotic writing could get a delicate balance between spirit and body,but if it couldn’t be dealt with properly,it may get into the por-nographic trap of carnal desire and behavior easily from love to pornography.Although the theories of col-loquial language poems,represented by the lower-body writing which highlights body and the presence of feeling,have a certain impact on rigid,false and institutionalized writing,colloquial language poems have failed to take a leading role in this rebellion.They hope to get aesthetic experience through carnal animal experience,but this is useless.So does the attempt to get back to the poem essence by expressing genital pleasant sensation.Erotic poems in colloquial language ones j ust stay at the stage of the poem of the animal and carnal poem.They must be transformed by love and beauty to become poem of existence and truth. Only in this way,could they be called the poem of human being.