| 底层叙述在《水浒全传》中的文化抉择 |
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| 引用本文： | 胡继琼.底层叙述在《水浒全传》中的文化抉择[J].贵州大学学报(社会科学版),2009,27(6):76-80. |
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| 作者姓名： | 胡继琼 |
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| 作者单位： | 贵州大学人文学院,贵州贵阳550025 |
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| 摘 要： | 《水浒全传》的描写对象主要是当时的社会的中下层社会地位的人物。小说的视点从早期的《宣和轶事》到《水浒全传》，基本上还是保持同样一个视点，这就是底层文化的叙述角度。底层文化叙述有着自己的价值判断和选择方式，这种叙述角度带来了小说中重要人物自身的特点。特别是在价值判断上的不一致和反抗行为寻求正统合理性等方面，底层文化叙述都深深的留下自身的痕迹。
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| 关 键 词： | 《水浒全传》 底层文化 合法性 秩序 |
The Demonstration of Culture in the Narration of Water Margin by the Lower-class People |
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| HU Ji-qiong.The Demonstration of Culture in the Narration of Water Margin by the Lower-class People[J].Journal of Guizhou University(Social Science),2009,27(6):76-80. |
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| Authors: | HU Ji-qiong |
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| Institution: | HU Ji-qiong (College of Humanities, Guizhou University, Guiyang, Guzhou, 550025, China) |
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| Abstract: | The objects in the narration of Water Margin are people coming mainly from the middle and lower class in that society. From the early Xuanheyishi to Water Margin, the novel keeps the same visual angle, that is, the narration focusing on the underclass perspective. It is the underclass narration that contributes to the hetoes＇essential characters, with its own judgment and selection of value. This kind of narration reflects the particular character of the heroes in the novel, especially when there is disagreement in value judgments and resistance in order to confirm justice. The underclass narration can always leave certain significant impression about itsown class. |
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| Keywords: | Water Margin lower-class culture legitimating social order |
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