| 谢灵运山水诗中的以理灭情 |
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| 引用本文： | 时国强. 谢灵运山水诗中的以理灭情[J]. 辽东学院学报(社会科学版), 2009, 11(2): 82-85,98 |
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| 作者姓名： | 时国强 |
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| 作者单位： | 商丘师范学院文学院,河南商丘,476000 |
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| 摘 要： | 谢灵运山水诗中的景与理,在抚慰他的忧虑苦闷上获得一致,并进而统一在一起。景与理都是谢灵运用来消忧的工具,二者的地位是相等的,谢灵运的山水诗与玄言诗中的景色描写有很大的不同,谢灵运的山水诗更多的还是学习当时的山水之作,而不是玄言诗中的山水描写。
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| 关 键 词： | 谢灵运 山水诗 玄理 |
Profound Theory and Landscape Description in Xie Lingyun''s Scenic Poems |
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| SHI Guo-qiang. Profound Theory and Landscape Description in Xie Lingyun''s Scenic Poems[J]. Journal of Liaodong University :Social Sciences, 2009, 11(2): 82-85,98 |
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| Authors: | SHI Guo-qiang |
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| Affiliation: | College of Language and Literature;Shaanxi Normal University;Xi'an 710062;China |
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| Abstract: | The scenery and profound theory were consistently used and further united to eliminate Xie Lingyun's worry and depression in his scenic poems.Both scenery and profound theory are tools for Xie Lingyun to get rid of his worry.Though they are equal in Xie Lingyun's scenic poems,the content about scenery is much more than profound theory.This is why his poems are called scenic poems and he is called the ancestor of scenic poem.The scenery in Xie Lingyun'scenic poems is very different from that of his poems abo... |
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| Keywords: | Xie Lingyun scenic poem profound theory |
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