论《桃花扇》的三种文化意象--兼及其与当时思想意识之构合

孔尚任通过清流名士、秦淮名妓、清客艺人三种文化意象,来咀嚼旧国昔年的文化诗意.作为清流名士,侯方域风流放纵,且具备出众的文采和经世才略.作者并无针砭侯方域之意,对他给予充分的肯定.李香君代表了秦准名妓既有文士风又有侠者慨的文采、见识、胆略,以及她们的择夫标准和相夫原则.从柳敬亭们的身上,反映了晚明民间文化与士大夫文化的交融,使二者相得益彰;也反映了明清之际士大夫阶层对下层人的全新认识.

On the Three Cultural Images of Tao Hua Shan

Kong Shang-ren tasted the cultural poetic flavor through the three cultural images of the celebrities,prostitutes and actors. As a celebrity,Hou Fang-yu is a reprensentative figure with outstanding talent and romantic style. Kong Shang-ren appreciated him very much.Li Xiang-jun possessed the talent, knowledge and courage standing for the famous prostitutes in Qinhai with the style of both scholars and chivalrous persons. From the Liu Jing-tings, we can know the blend of the folk culture and the up-level culture in the late Ming Dynasty, as well as the brand new view of the upper-class on people of the lower class during the transition from the Ming Dynasty to the Qing Dynasty.