| 谈淮海戏《明月芦花》景物造型的艺术手法 |
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| 引用本文： | 赵绍杰.谈淮海戏《明月芦花》景物造型的艺术手法[J].淮海工学院学报(社会科学版),2011,9(3):50-51. |
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| 作者姓名： | 赵绍杰 |
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| 作者单位： | 连云港市淮海剧团,江苏,连云港,222002 |
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| 摘 要： | 舞台美术是中国戏曲综合艺术中的一个重要因素。连云港市淮海剧团演出的现代戏《明月芦花》中的景物造型设计,不仅为演员表演提供了丰富的动作支点,还较好地将戏曲舞台上的音乐、舞蹈等诸多因素溶为一体,从而塑造了众多不同的艺术形象,较好地揭示了剧本的深刻主题。
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| 关 键 词： | 戏曲舞台 景物造型 艺术手法 |
On Scenic Design Techniques in Huaihai Drama "Moon Aloe" |
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| ZHAO Shao-jie.On Scenic Design Techniques in Huaihai Drama "Moon Aloe"[J].Journal of Huaihai Institute of Technology,2011,9(3):50-51. |
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| Authors: | ZHAO Shao-jie |
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| Institution: | ZHAO Shao-jie(Lianyungang Huaihai Opera Group,Lianyungang 222002,China) |
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| Abstract: | Stage art is an important factor in Chinese operas.The modern drama,＂Moon Aloe＂,presented by Lianyungang Huaihai Theatrical Company,not only helps performers show rich actions but also integrates their actions with the music and dance so that diversified artistic images are created and the profound theme is revealed. |
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| Keywords: | dramatic stage scenic design artistic techniques |
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