近代小说叙事中的"有我”与"无我”

王国维论诗有"有我之境"无我之境”之说.在诗歌中,"有我”易于抒情,所谓"以我观物”,带有明显的作者主观色彩;"无我”则纯为写景,所谓"以物观物”,作者不介入,却有利于读者身临其境,实现物我交融.小说亦与此相类.近代小说中"有我”之作品大多有强烈的主观意识,说教色彩浓厚,但艺术感染力稍逊."无我”之作品纯以客观之笔表达作者的创作意识,含蓄蕴藉,耐人寻味.

"Self-in

Wang Guowei in his Notes and Connents on Ci Poetry describes the artistic conceptions of "self-in" and "self-out". The conceptions of "self-in" and "self-out" in writing poem the poetself goes into the prospect to declare his or her emotion. The poetry thus done is full of the poet's emotional flavour. On the contrary, we find in the poetry of "self-out" nothing concerned with the poetself, but the prospect itself displayed, leaving the reader he himself or she herself stepping into and mingling with the scene. So is in writing novels. The modern Chinese works of "self-in" novel are imbued with much of the writer's subjective ideas, preach coloring, and artistic appeal unfavorably, while those of "self-out" are of objectively style, implied and thought-provoking.